CHARLES ROSE
A Ford in a River
I buzz the door at the end of the corridor, the red
light flashes, the door opens, I check in at the nursing station, ask
how Susan's doing, the same the nurse says. I don't see her pacing, so
I go to her room. Susan's wearing a purple blouse over her nightgown,
tan pantyhose, one house slipper. She tells me to sit on the edge of
her bed while she goes out to get her hourly allotted cigarette. I wait
a little while for her to come back before going to the dayroom. I put
her dirty clothes in the plastic bag that I brought to take them home
in.
Jimmy Ray is in the dayroom. He's waiting for us
to get started. Already he's laid out the Scrabble board, having turned
the tiles face down in the box. I'm conscious of Susan close to me, a
cigarette ash on a silk scarf, cigarette smoke in my lungs. Then Susan
puts out her cigarette. She has smoked it down to the filter. She sets
the filter next to the Scrabble board. When I put it in one of the ashtrays,
she puts it back next to the Scrabble board.
Jimmy isn't much of a Scrabble player, and sometimes
he doesn't follow the rules. He will play contractions and brand-name
words. I watch him edge in the D tile in FORD. He has already played
the O and the R, playing vertically off the F in BUFFS. But Jimmy hasn't
a brand name in mind. He has a ford in a river in mind. Susan's holding
a glazed doughnut that she hasn't gotten around to eating yet. I play
two O's and a D off FORD, carefully putting each tile in its square.
I get triple word points off DODO. Jimmy plays HEARTS off the S in BUFFS.
We're getting the weather on Channel Four. The weather
woman is forecasting rain. There is this black man, Big Tim, with his
coffee, smoking a cigarette. I've been keeping Big Tim in cigarettes.
I leave the cigarettes at the nursing station with instructions to give
them to Big Tim because I know he would take care of Susan, look out
for her in the corridor. Big Tim is in charge of the refreshment room;
he hands out coffee and soft drinks. One time I lined up for a soft drink
but he shook his head, not for visitors.
I play two tiles vertically, an S and an E, off the
A in HEARTS. I do the adding up, write down the score. Susan is back
in the dayroom with her uneaten glazed doughnut. I am about to play SHUT
off the H. Susan puts her hands on the card table, rocking the tiles
loose on the board. Jimmy hooks his thumbs in his belt. I put the tiles
back in the box, the tiles, first, then the board, trying not to listen
to Susan. She wants me to go to her room. She doesn't want me with Jimmy.
I tell Jimmy we'll play again next time.
"I said let's go to my room," Susan says.
Susan is tapping her right foot. I have seen her
tap her right foot before when she wanted to get money out of me. It
would always be her right foot until I say something, yes or no. Today
I say yes; we will go to her room.
My wife, Peggy, turns on the washing machine. She
waits for the level of water to rise before putting in the detergent.
She has the dial set for warm/cold, for Susan's blouses and washable
sweaters. The camisoles, panties, and T shirts are on high-to-low heat,
in the dryer. Water trickles into the washing machine. Peggy waits with
a scoop of detergent. I am holding Susan's wash basket, the one she used
while she was living with us, in the garage apartment behind the house.
Peggy is watching the level rise. She puts in half a cup of detergent.
This is my signal to move away so Peggy can put in Susan's clothes.
Peggy lowers the lid and spreads her arms, palms
flattened on the washer. She looks past me at the stairs, through the
window across from the washing machine, running up past Susan's window.
Neither one of us want to climb these stairs. We haven't cleaned up Susan's
apartment yet. This is something we will do together, put Susan's apartment
in order. Peggy won't do this without me. We will pry loose candles and
clotted wax from saucers and paperback books. There are the cigarettes
Susan smoked. They are standing in rows on a window sill, on her vanity,
in the bathroom. Peggy will leave the cigarettes to me. She will do the
dusting and vacuuming.
Peggy moves to the door of the laundry room. She
stands in the door, she wants to keep me inside. Then I realize she isn't
blocking my way. She is asking me to bring the ironing board, folded
up next to the water heater. The iron is in Susan's apartment. One of
us will have to get it.
I haven't seen Shirley Ray in the store before. Shirley
Ray is wearing the pants suit that she usually wears in the ward. She
would watch us sometimes, playing Scrabble, but never for very long.
Shirley hands me a prescription, for an antidepressant, Elavil.
"Remember me. I'm Jimmy's mother," she
says. "I've seen you two playing Scrabble."
I ask her how Jimmy is doing before I go to fill
the prescription. About the same, she tells me. When I come back with
the prescription, Shirley touches one teardrop earring with the edge
of a painted fingernail. The plastic container she holds up to the light
so the capsules show through its apricot haze. Shirley rummages in her
pocketbook. She has a checkbook and a ballpoint pen. I tell her we can't
take her check because she doesn't have an account here. She asks me
if we take credit cards. I tell her to go to the tobacco counter. Someone
there will take her credit card. Shirley's eyes narrow like Jimmy's when
he is about to make his play. She is moving the checkbook slightly, tapping
an edge on the ball of her thumb. Then she comes out with it, about Jimmy.
"There's something I think you should know.
My son Jimmy tried to kill me. Jimmy pointed a shotgun at me. I was lucky,
my brother was there. Next time he might not be there."
I don't tell Shirley I know about that. I've heard
about it, from Big Tim. I look away from her, at aisle 6-A, toothpaste,
dental floss, shaving cream. I know Shirley has things to say to me.
I look at my row of prescriptions, lined up in their plastic containers.
Witch doctors' mumbo jumbo, voodoo incantations might work better, but
I am a pharmacist. I have to stick to what I know.
Shirley pulls out her billfold, spreads it out on
the prescription counter. She shows me a family photograph of Jimmy and
Shirley together, in the backyard in front of a gas grill. Jimmy is wearing
a barbecue apron. He has his arm around Shirley. Beside Jimmy, Shirley
looks small and frail.
"That's Jimmy when he was fourteen. Jimmy's
Dad took that picture."
I tell Shirley Jimmy looks good, and she shows me
a second photograph. Jimmy is riding a bicycle. I think of Susan on her
first bicycle, with a nice little smile for her father.
"Jimmy was okay before Jack left. You can tell
that in the picture."
"Maybe he'll be okay again."
"That's never going to happen. I can't trust
Jimmy anymore. I don't know what he'll do next."
Another customer is approaching, an old man, one
of the regulars here. Shirley moves aside to let him in. He waves a prescription
at me, and I take it and go to fill it. I measure out the loaf-shaped
pills, put the cap on the container. I put the prescription in the computer.
Shirley watches me stick the label on. She puts the billfold back in
her pocketbook, and I wait for Shirley to leave the store.
Susan has not gotten better. The insurance will pay
for thirty days. In eight days we will either have to bring her home
or go to the probate judge and petition to have her committed to Stockton.
We have to decide what to do next, how long we think we can have Susan
here if she isn't better in nine days. Peggy sees no alternative; Susan
will have to be taken to Stockton.
Peggy sips on her iced tea, looking up from her pinochle
hand. We are sitting out on our screened-in porch. The melds are laid
out on the tiles. It is Peggy's turn to lead. She leads a ten of diamonds,
trumps. I play the jack from a meld. Then I lead from the melds, king
of clubs. Peggy plays the nine of clubs. She draws from the stock and
leads from a meld. Susan's window over the garage is shut; the Venetian
blind is closed. We finish, add up our tricks. Peggy shuffles the cards
with authority, riffling the interlocked cards off her thumbs. I have
seen her do this at her bridge club, with her friends, without looking
down. I've heard her keep up a conversation, shuffling the cards, dealing
out bridge hands, seen her do this on my way to Susan's apartment with
Susan's meds in a plastic pillbox, pills with different shapes and colors,
in each compartment, pills with one shape, one color.
Peggy is wearing the dress she wore to church. She
has already been to the psychiatric ward. She has seen Susan in restraints.
That hasn't caused Peggy to change her mind. I tell Peggy we should try
to keep Susan at home. Peggy stops shuffling the cards. I won't put up
with it, she says. I say nothing. What is there for me to say?
We play pinochle for another hour; then I drive across
town to the hospital. The head nurse says they have rules. Susan has
to stay in restraints, but they will take one of the wrist straps off.
I can hear Susan yelling and cursing. Usually a nurse at the station
will tell me to come back tomorrow. But today I can see my daughter.
I can sit with her for as long as for ten minutes. I ask the head nurse
for a cigarette from her pack at the nursing station. An orderly unbuckles
one wrist strap. I light Susan's cigarette and watch her smoke. She complains
about being in restraints, and I tell her I'll see what I can do. I tell
her I will come back in an hour. I will bring her a cigarette, in an
hour.
I leave Susan and go to the dayroom. Jimmy is waiting
for me. He is wearing jeans and cowboy boots. Already he's laid out the
Scrabble board, having turned the tiles face down in the box. We get
started; we draw out tiles. Jimmy looks at his tile rack. His shoulders
are hunched as he picks out a tile. He plays ACCEPT. I write down his
score. I play my tiles vertically off the E. I play TEE, as in golf tee.
That is only good for three points. Jimmy starts cracking his knuckles.
He puts his right fist in his cupped left hand. There is something he
wants to tell me. He says he tried to call his father today, but all
he got was the answering machine. Jimmy picks up a tile and edges it
in, an E, off the T in golf tee. "I know why I never see him. He's
with this woman who hates me. She doesn't want him to see me."
I play EXIT off of TEE. Jimmy plays BED off of EXIT.
"My mother, she wants to see me. But she doesn't
want me in the house."
I wait until his agitation goes, like a hand has
passed over his face. I play SPEED off the D in BED, for a double word,
write down the score. I can play DEEP, but instead I play SPEED. Big
Tim and another black man come in; they go to the Ping-Pong table. I
still have thirty minutes to wait before I take Susan her cigarette.
The Ping-Pong ball rolls across the room. We can all hear Susan yelling
because the room she is in doesn't have a door.
I hold out Susan's cigarette and put it, lighted,
between her lips. She waits to blow the smoke out. Susan tells me I have
to take her home. The head nurse says Susan will be out of restraints
when her behavior becomes acceptable. She says I can take Jimmy outside.
She allows us out in the courtyard. Big Tim and some others are going
out, have permission to take this smoke break outside.
There is a hoop and backboard outside, but no net,
and no basketball. Jimmy's standing with his thumbs in his belt; then
he sits down on one of the benches. Big Tim lights up a cigarette. He
lets Jimmy take one drag. When Jimmy asks for another drag, Big Tim says
he'll have to work for it. He'll have to play him one on one. Streaks
of sunset are still in the sky, outside the courtyard gate, in the parking
lot. I tell Big Tim he's too tall, over six feet, no contest. I tell
Jimmy I'll get him a cigarette on the next break if he can whip me.
Jimmy goes in for a lay-up. He gets by me for the
lay-up. I get off a one-handed push shot. Swish, I say to myself, two
points. Jimmy cuts to the right, gets by me again. But we can't go on;
even Jimmy knows that.
The next day I come home for lunch and see that Susan's
window isn't shut. I move out through the screen door and move on to
the garage. The door at the top of the stairs is open. I can hear Peggy
vacuuming in there. In a paper bag there are cigarettes. And the candles
are in the paper bag. Some of the clothes are tied up in a sheet, what
was going into the washer. There are skirts and sweaters heaped on the
bed.
Peggy turns off the vacuum cleaner. "You can
drop these off at the cleaners." I see that Peggy hasn't dusted
the window sill. The ashes from Susan's cigarettes, those tiny columns
of meaning for her, have been obliterated, are gone.
I say, "I want you to leave it the way it is."
"It's too late for that. I'm cleaning it up."
"I'm not sending Susan to Stockton," I
say.
"All right. All right. You say you aren't but
I say it's the only way Susan will get better."
Peggy turns on the vacuum cleaner, moving the trolley
across the floor. I watch Peggy bear down on Susan's bed. She tries to
vacuum under the bed, but she can't get far enough under. She doesn't
ask me to help her move the bed, so I leave and go back to the house.
The front closet is where we keep the games—Monopoly, Backgammon,
Scrabble, a few others that aren't that popular. We keep the games on
the top shelf. I pull down the Scrabble game. The box is coated with
dust. I go to the kitchen table. I open the box and lay out the board.
I think about playing all the tiles to make sure they are all there.
But there isn't time to do that today. I soak a handy-wipe in water and
wipe the dust off the board.
Susan isn't watching the Scrabble game. Susan is
at the window, doing her numbers again. For her, the numbers mean something—one,
eleven, three, forty-two. She is out of restraints; she is quiet. There
are silences between the numbers. I write down the score. I play my tiles.
Naturally, Jimmy is pleased with the score. His hands are gripping his
wrists, and he rocks in his chair with glee. I don't intend to finish
the game today. I will sit with Susan in her room, accompany her in the
corridor, keeping step with her as she paces, alert for the slowdowns,
the stops, the shifts in direction mapped in her brain. Will we go to
the end, the fire exit, to the showers, the refreshment room? Will we
sit down in the alcove, in the love seat, going only partway?
The next day Shirley Ray's there. She tells Jimmy
he has to pack tonight because he won't have time to pack tomorrow. She
tells him to be ready at six so they can have some time together. A deputy
sheriff will be there at seven to take Jimmy to Stockton. When Jimmy
asks about his father, she says his father won't be coming. But he will
visit Jimmy at Stockton. That is when Jimmy looks at me. I can't say
no to that look, but I don't know how to say yes. Peggy wouldn't put
up with it. She wouldn't have Jimmy in the house.
Jimmy goes with us to the door. He waits for a nurse
to buzz us out. We are leaving the hospital together. We can't see the
ward from the parking lot. In the parking lot, standing near my car,
Shirley brings up her ex-husband, Jack. Jack is living with Kay Lyn;
they are living in a trailer park. It is Kay Lyn who won't have Jimmy.
Shirley says she knows this for a fact because she has talked to Kay
Lyn herself.
"We had a talk," Shirley says flatly, folding
her arms and looking at me. Kay Lyn said she wouldn't feel safe with
Jimmy around." Shirley is standing close to me, a little too close,
I'm thinking. I put one hand on the door of the car.
There is a telephone in the paint shop and, sitting
next to it, an answering machine. Jack listens to Shirley tell him that
I happen to know about Stockton. My daughter has been in Stockton; there
are certain things Jack should know. Jack has sideburns and a wavy mustache.
For awhile he is looking away from us. Then he gets up and goes to Shirley.
He stands over her so I move away.
"I told you I'll visit him at Stockton," Jack
says.
"I'll believe that when I see it, Jack."
I go to the door of the paint shop. The body shop
is across the yard. There are cars in there being worked on.
The next day I'm back at the ward. Big Tim tells
me what happened, how a deputy sheriff took Jimmy out of the ward. Shirley
was there. Jack wasn't there. Jimmy's hands were handcuffed in front
of him, his legs were chained. That was the way it had to be done, Big
Tim tells me.
We are moving along, down the corridor, past the
nursing station. Susan might do the numbers next, or ask for a cigarette
at the nursing station. Susan might go anywhere, do anything, if she
weren't here, having to pace.
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