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Acknowledgements
I would like to thank Elizabeth Mansfield for the opportunity to present an earlier version of this paper as part of the panel “Art History de jure,” at the 2004 annual meeting of the College Art Association. In my search for the elusive Contractors (known to me only as Terri and Dave at the time I began this project), three individuals have been instrumental: the late David Bonetti (then) of the St. Louis Post-Dispatch; Constance Lewallen, now adjunct curator, University of California Berkeley Art Museum; and artist Tom Marioni. Terri Keyser-Cooper generously answered countless questions and provided printed materials and photographic documentation of objects and installations. 
Actionable Art: From Sam’s Café to United Art Contractors
Endnotes
Acknowledgements