VII
And in the Cosmos, at the
counter, in front of the salt and pepper and sitting
on one of those heavenly wobbly stools the color
it turns out of blood, it matches the ripped open veins,
he whipped up his rage and yelled, he pounded his fist
and shook the shakers, he spilled his coffee, he spilled
a cupful of blood, he pulled a handful of patterned
paper napkins out of the streamlined holder
to sop up the liquids and in the midst since he
was thoughtful as well as berserk, he watched the brown
which is the color of coffee with milk spread forth
as water on sand spreads forth, he was awakened
and walked, so to speak, at the edge so his toes wouldn’t turn
too cold too soon, or walked on his hands, he once
could do that, and at a certain point in
space as well as time, the brown on the white just
stopped forever, then he took his sword,
which was a fork as light as tin and cut
two heads off—shaker heads—and he was sapient
enough to know that he was not only I.
Cervantes
but C. as well, at least a little, C. from
Spain, that maimed and stricken Lanzman who
saw everything at once—I’d call it a curse—
and tilted at shakers, and so on, then he charged
at enemies and he was alone in the field
and probably had a talking horse or an unarmed
jeep with a canvas top, and fuck the trees,
he wouldn’t stand behind a tree, and fuck the
holes, he wouldn’t dig one if his life
depended on it, and surely it did,
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